TOTIM

About
Mission
Contributors

About Us

TOTIM is a photojournalist-driven narrative reporting platform.

We license work from the archives of prominent and up-and-coming visual reporters, producing immersive photo-stories to inspire empathy, solidarity and action.

At the heart of TOTIM's mission is the desire to expose and strengthen the connective tissue that binds us as a human community.

    Mission

    TOTIM is committed to the power of photojournalism to foster empathy, bring underrepresented realities to public attention, and promote meaningful social change through immersive, fieldreported visual journalism. We believe in unlocking the full potential of photojournalists and their vast, largely unseen archive — work of extraordinary value that has never reached the audiences it deserves.

    We believe that ground-level, human-centered reporting has the capacity to make distant realities feel immediate and real. We are committed to long-form visual journalism that illuminates the human contexts behind major events and surfaces the nuance that conventional media consistently overlooks. This work has the potential to inspire deeper engagement with the world — and with one another.

    TOTIM is more than a publishing platform. It is a commitment to the idea that photojournalism, presented with integrity and depth, can change how people see the world

    Three principles govern how we operate.

    Photojournalist-Driven

    TOTIM is built around the photojournalist as primary authority on the subjects they cover. These are independent reporters with direct and sustained proximity to the realities they document — their work is rooted in visual evidence, eyewitness testimony, and verifiable provenance. Their capacity to expose the human dimensions of complex issues is the foundation of everything TOTIM publishes.

    Nonprofit

    Modern journalism faces a fundamental tension: the pursuit of profitability at the expense of itsmission. The pressure of advertising revenue and audience metrics has compromised editorial integrity across the media landscape. As a nonprofit, TOTIM's primary obligation is to inform and connect- not to perform and distract. By placing mission above profit, we commit to publishing the work that matters, not the work that trends.

    Trust

    Trust in news media has eroded through political polarization, sensationalism, and the rise of AI-generated imagery. Photojournalism offers something different: a transparent, direct form of reporting grounded in visual evidence and the authority of the journalist who was present. TOTIM's AI-free publishing standard and provenance authentication exist because we believe the credibility of the work depends on it.

    Press inquiries: press@totim.org
    Contributor inquiries: contribute@totim.org

    Contributors

    Noah Berger
    Noah Berger
    "Park Fire '24"

    A visual record of California's Park Fire and the dangerous, technical work of documenting wildfire as both disaster and structural warning.

    Tasneem Alsultan
    Tasneem Alsultan
    "And Then There Were Women" Pt. 1

    A personal and documentary study of love, marriage, adulthood, and women's changing social position in Saudi Arabia.

    DJ Clark
    DJ Clark
    "Shaboura"

    A historical portrait of Gaza's Shaboura district in 1991, focused on daily life, occupation, and the human texture of a place often reduced to conflict.

    Yen Duong
    Yen Duong
    "Child Brides of China"

    An investigation into trafficking networks that move Vietnamese girls into forced marriages in China, exposing trauma, poverty, and institutional neglect.

    Eros Hoagland
    Eros Hoagland
    "Coup D'état"

    A ground-level view of Port-au-Prince during Haiti's political collapse, documenting the violence, uncertainty, and human toll of state instability.

    K M Asad
    K M Asad
    "Vanishing With the Waves"

    A long-term report from Bangladesh's Sundarbans, where climate change, rising seas, and saltwater intrusion are steadily eroding home, memory, and survival.

    Greta Rico
    Greta Rico
    "Substitute Mother"

    A long-term project on the children left behind by femicide in Mexico and the women who assume the emotional and economic burden of raising them.

    Seth Berry
    Seth Berry
    "In The Valley of Death"

    A close report from Honduras' Aguan Valley, where campesino communities and environmental defenders face violence tied to land, palm oil, mining, and state power.

    MaryLynne Wrye MaryLynne Wrye
    "The Olive Grove"

    A record of daily life around the Moria refugee camp on Lesvos, showing the strain, improvisation, and dignity of people trapped in asylum limbo.

    Veejay Villafranca Veejay Villafranca
    "Signos"

    A report from the aftermath of Typhoon Haiyan in the Philippines, focused on displacement, failed recovery systems, and the long-term precarity facing survivors.

    Valerie Plesch
    Valerie Plesch
    "Kosovo, After the War"

    A post-conflict story about memory, reconstruction, trauma, and the long human aftermath of violence in Kosovo.

    Emre Çaylak
    Emre Çaylak
    "In The Dust Of Somalia"

    A report from Baidoa, Somalia, showing how famine, aid cuts, and political decisions become direct threats to children and families.

    Jason P. Howe
    Jason P. Howe
    "Between the Lines"

    A record of Colombia's armed conflict from 2001 to 2005, showing insurgency, paramilitary violence, civilian life, and the layered realities of war.

    Brian Frank
    Brian Frank
    "Fire For Freedom"

    A report on California's incarcerated firefighter system, exposing the labor, risk, racial disparity, and policy contradictions behind prison fire crews.

    Johis Alarcón
    Johis Alarcón
    "I Am, Still"

    A portrait of Indigenous youth in Ecuador choosing cultural continuity, land, and community while moving through the pressures of modern life.

    Tracy Dong
    Tracy Dong
    "Reassemblage"

    A study of the Vietnamese-German diaspora in Berlin, focused on memory, family rupture, cultural reconstruction, and inherited absence.

    Tom Griggs
    Tom Griggs
    "El Inquilino"

    A quiet, subjective portrait of Mexico City during the COVID period, shaped by isolation, displacement, and the experience of living as a temporary inhabitant.

    Camille Farrah Lenain
    Camille Farrah Lenain
    "Sisters of the Hunt"

    A study of women hunters in Louisiana and France, examining gender, land, death, ritual, and the tension between protector and predator.

    Alex Gist
    Alex Gist
    "A Conspiracy of Guileless Humanity"

    A slow study of a small restaurant community in northern Bali as a model of land-based, relational, and socially sustainable living.

    Chona Mwemba
    Chona Mwemba
    "Movement"

    A restrained portrait of daily movement across Zambia, showing how transit, labor, culture, and social connection shape national life.

    Jared Moossy
    Jared Moossy
    "My Blacktop Bruises"

    A deeply personal road project in which a conflict photographer uses motorcycle travel across America as recovery, encounter, and testimony.

    Toby Binder
    Toby Binder
    "Youth of Belfast"

    A long-term portrait of young people in working-class Belfast neighborhoods still living with the social aftershocks of the Troubles.

    Natisha Mallick
    Natisha Mallick
    "Life On The Edge" Pt. 1

    A story about rural healthcare in Bengal, focused on informal caregivers, fragile medical access, and community resilience under failed systems.

    Sofía Aldinio
    Sofía Aldinio
    "Until We Are Gone"

    A portrait of San José de Gracia, Mexico, where water loss, climate pressure, and rural abandonment threaten the survival of an entire community and culture.

    Kris Graves
    Kris Graves
    "LONG SUN DOWN"

    A study of the American landscape as evidence of structural discrimination, including redlining, gerrymandering, exclusion, incarceration, and uneven public investment.

    David Simon-Martret & Blanca Galindo
    David Simon-Martret & Blanca Galindo (Leafhopper)
    "Krokodil"

    A stark documentary project on the human damage caused by krokodil addiction in the post-Soviet world, focused on vulnerability, stigma, and physical decline.